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Intérprete: Hubert Zapiór

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BerlínEugene Onegin

© Iko Freese  | drama-berlin.de
Chaikovskiï: Eugene Onegin
Anna Skryleva; Barrie Kosky; Komische Oper Berlin; Rebecca Ringst; Klaus Bruns; Franck Evin; Orchester der Komischen Oper Berlin

BerlínKing Ro­ger

© Jan Windszus
Szymanowski: Król Roger
James Gaffigan; Evgeny Titov; Komische Oper Berlin; Xin Tan; Paul Zoller; Annemarie Woods; Sebastian Alphons

ÁmsterdamPagliacci / Cavalleria rusticana

Riccardo Massi (Canio) © De Nationale Opera | Bart Grietens
Leoncavallo, Mascagni
Andrea Battistoni; Robert Carsen; Dutch National Opera; Radu Boruzescu; Annemarie Woods; Peter van Praet; Netherlands Philharmonic Orchestra
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Musical triumph meets voyeuristic violence in Carsen’s Pag & Cav

Riccardo Massi (Canio) © De Nationale Opera | Bart Grietens
Dutch National Opera’s powerhouse cast and incandescent chorus deliver a musical triumph in Robert Carsen’s Cav/Pag revival, even as its voyeuristic staging leaves bitter ethical questions around gendered violence unresolved.

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Karima El Demerdasch (Dido) © Paul Marc Mitchell
Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Dagmar Manzel (Mrs Lovett) and Christopher Purves (Sweeney Todd) © Jan Windszus Photography
With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

Kirill Serebrennikov’s Marriage of Figaro challenges Edinburgh

Peter Kellner (Figaro) and Penny Sofroniadou (Susanna) © Jess Shurte

Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner. 

Figaro im Kellerloch: radikale Mozart-Premiere an der Komischen Oper

Penny Sofroniadou (Susanna) und Hubert Zapiór (Graf Almaviva) © Monika Rittershaus
Kein Mozart für Puristen: Serebrennikov schafft ein dicht erzähltes Sozialdrama über unermesslichen Wohlstand, die Schattenseiten der hochstilisierten Glamourwelt und all jene, auf deren geschundenen Rücken dieser Reichtum verdient ist.

Die Welt aus Alteweißemännersicht: Der Goldene Hahn in Berlin

Dmitry Ulyanov (König Dodon) und Kseniia Proshina (Königin von Schemacha) © Monika Rittershaus
Barrie Kosky macht Rimsky-Korsakows letzte Oper zu einer Persiflage auf den mittelalten Mann in der Midlife Crisis.