| sábado, 14 de noviembre de 2026 | 19:30 |
| domingo, 22 de noviembre de 2026 | 18:00 |
| sábado, 12 de diciembre de 2026 | 19:30 |
| miércoles, 16 de diciembre de 2026 | 19:00 |
| martes, 22 de diciembre de 2026 | 19:00 |
| viernes, 25 de diciembre de 2026 | 18:00 |
| Komische Oper Berlin | ||
| Anna Skryleva | Dirección | |
| Barrie Kosky | Dirección de escena | |
| Rebecca Ringst | Diseño de escena | |
| Klaus Bruns | Diseño de vestuario | |
| Franck Evin | Diseño de iluminación | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| Simon Berger | Dramaturgia | |
| David Cavelius | Dirección de coro | |
| Alex Köhler | Contratenor | Guillot |
| Hubert Zapiór | Barítono | Eugene Onegin |
| Penny Sofroniadou | Soprano | Tatyana |
| Maya Gour | Mezzosoprano | Olga |
| Dimitry Ivashchenko | Bajo | Prince Gremin |
| Karolina Gumos | Mezzosoprano | Madame Larina |
| Ulrike Helzel | Mezzosoprano | Filippyevna |
| Carsten Lau | Bajo-barítono | Captain |
| Jan-Frank Süße | Bajo-barítono | Captain |
| Christoph Späth | Tenor | Monsieur Triquet |
With stunning natural imagery and attention to every detail, Barrie Kosky presents Tchaikovsky’s soulful drama about the hopes, longings, and failures of four young people who come to realize in the end that happiness was almost within reach. When the poet Lensky visits his fiancée Olga and brings along his mysterious friend Eugene Onegin, Olga’s introverted sister Tatyana is immediately hooked. But Onegin rejects her advances. Years later, he meets her again, but now it is she who doesn’t want to hear his sudden pleas for love…
It was with Eugene Onegin that Tchaikovsky achieved his breakthrough as an opera composer, making an unparalleled contribution to modern music theatre. Here, with its opulent stage design, Barrie Kosky’s production captures the poetry of the characters and their tragedy, set in the vastness of a natural space. Supported by Tchaikovsky’s unforgettable music, Eugene Onegin is a ‘delicate psychogram of young people who are just learning for the first time what irreversible decisions truly mean’ [BR KLASSIK].
Críticas de Eugene Onegin, Op.24 dirigida por Barrie Kosky

