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Intérprete: Joélle Harvey

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Santa FeThe Magic FluteNueva producción

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Mozart: La flauta mágica (Die Zauberflöte)
Harry Bicket; Christopher Luscombe; Santa Fe Opera; Simon Higlett; Robert Perdziola; Philip Rosenberg; Santa Fe Opera Orchestra

PhiladelphiaHandel’s Messiah

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Handel: El Mesías
The Philadelphia Orchestra; Bernard Labadie; Joélle Harvey; Iestyn Davies; Andrew Haji; Neal Davies

PittsburghPépin, Falla, Orff

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Pépin, Falla, Orff
Pittsburgh Symphony Orchestra; Manfred Honeck; Joélle Harvey; Reginald Mobley; Will Liverman; Mendelssohn Choir of Pittsburgh

Nueva YorkAlexandre Kantorow Performs Brahms

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Brahms, Mendelssohn
New York Philharmonic; Iván Fischer; Alexandre Kantorow; Joélle Harvey; Emily Sierra; Brooklyn Youth Chorus
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Hadelich delivers exhilarating Barber concerto in Philadelphia

Dalia Stasevska conducts the Philadelphia Orchestra © Margo Reed (2023)
Guest conductor Dalia Stasevska conducts an earthbound reading of Mahler’s Fourth Symphony. 

A resplendent St John Passion at Carnegie Hall

Joélle Harvey and Bernard Labadie © Chris Lee
Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion. 

Mahlerischer Abschied: Ticciatis letztes Konzert als DSO-Chefdirigent

Robin Ticciati © Fabian Schellhorn
Time to say goodbye, heißt es für das Deutsche Symphonie-Orchester Berlin und seinen Chefdirigenten Robin Ticciati dieser Tage. Nach mehr als sieben Jahren verabschiedet sich der Brite vorzeitig von dem Berliner Klangkörper.

Cummings and the AAM bring the house down with Samson at the Proms

Allan Clayton and the Academy of Ancient Music © BBC | Sisi Burn
Majestic performances all round in Handel's oratorio, with a strong solo team led by Allan Clayton as Samson, and a convincingly well-drilled performance from the Philharmonia Chorus.

Joélle Harvey is outstanding in Glyndebourne's incendiary Semele

Jennifer Johnston (Juno), Joélle Harvey (Semele) and Stephanie Wake-Edwards (Ino) © Glyndebourne Productions Ltd. Photo: Richard Hubert Smith
Adele Thomas makes a good case for Semele's operatic credentials in her production which makes effective nods towards Baroque opera’s devotion to spectacle.

The Cleveland Orchestra brings a holy Mass to Carnegie Hall

The Cleveland Orchestra in Carnegie Hall © Chris Lee
Franz Welser-Möst creatively fused Schubert's “Unfinished” Symphony with Berg's Lyric Suite, before leading an opulent performance of Mass no. 6 in E flat Major.