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PhiladelphiaCarmina burana
Coleridge-Taylor, Ortiz, Orff
The Philadelphia Orchestra; Yannick Nézet-Séguin; Jeffrey R. Smith; Janai Brugger; Jonah Hoskins; Will Liverman
Nueva YorkLincoln in the BardoEstreno absoluto
Mazzoli: Lincoln in the Bardo
Yannick Nézet-Séguin; Lileana Blain-Cruz; Metropolitan Opera; Steven Osgood; Adam Rigg; Montana Levi Blanco; Yi Zhao
HamburgIl barbiere di Siviglia
Rossini: Il barbiere di Siviglia
Teresa Riveiro Bohm; Tatjana Gürbaca; Staatsoper Hamburg; Klaus Grünberg; Barbara Drosihn; Philharmonisches Staatsorchester Hamburg
HamburgGuillaume TellNueva producción
Rossini: Guillaume Tell
Susanna Mälkki; Tobias Kratzer; Staatsoper Hamburg; Rainer Sellmaier; Reinhard Traub; Philharmonisches Staatsorchester Hamburg
BerlínDie Entführung aus dem Serail
Mozart: El rapto en el serrallo (Die Entführung aus dem Serail)
Tim Fluch; Andrea Moses; Staatsoper Berlin; Raimund Bauer; Anja Rabes; Irene Selka; Staatskapelle Berlin
HamburgCavalleria Rusticana / Pagliacci
Mascagni, Leoncavallo
Giampaolo Bisanti; Giancarlo del Monaco; Staatsoper Hamburg; Michael Scott; Philharmonisches Staatsorchester Hamburg; Chor der Hamburgischen Staatsoper
Últimas críticasVer más...
Lincoln in the Bardo: a spectacularly spooky world premiere at the Met
George Saunders’ prize-winning novel moves from page to stage in Lileana Blain-Cruz’s genre-defying, visually breathtaking and surprisingly cheerful production of Missy Mazzoli and Royce Vavrek’s operatic adaptation.
L’italiana in Algeri in the wrestling ring at Deutsche Oper Berlin
A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.
Glyndebourne’s season opens with Rossini’s Barber of Seville
Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.
Hidden tears season the comedy in Santa Fe's enchanting Elixir
In this revival of Stephen Lawless' busy production, set in 1945 Italy, young American tenor Jonah Hoskins' endearing performance tilts Donizetti's charmer in a Nemorino-centric direction.