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ParísLe Barbier de Séville
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Rossini: Il barbiere di Siviglia
François López-Ferrer; Damiano Michieletto; Opéra national de Paris; Jader Bignamini; Paolo Fantin; Silvia Aymonino; Fabio Barettin
BarcelonaThe Exterminating Angel
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Adès: The Exterminating Angel
Thomas Adès; Calixto Bieito; Gran Teatre del Liceu; Anna-Sofia Kirsch; Ingo Krügler; Reinhard Traub; Orquesta Sinfónica del Gran Teatre del Liceu
Santa FeThe Magic FluteNueva producción
Mozart: La flauta mágica (Die Zauberflöte)
Harry Bicket; Christopher Luscombe; Santa Fe Opera; Simon Higlett; Robert Perdziola; Philip Rosenberg; Santa Fe Opera Orchestra
Santa FeLili ElbeNueva producción
Picker: Lili Elbe
Roberto Kalb; James Robinson; Santa Fe Opera; Allen Moyer; Marco Piemontese; Marcus Doshi; Santa Fe Opera Orchestra
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Giovanni Antonini lleva un Haydn perfecto al Teatro Real
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Antonini demuestra con el Orlando Paladino su talento para dirigir con absoluto rigor el repertorio de Haydn.
Gnadenlos genial: L’opera seria am Theater an der Wien
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Ein in jeder Hinsicht unvergesslichen Abend. Der Opernbetrieb wird in dieser Produktion gnadenlos durch den sprichwörtlichen Kakao gezogen, und doch kann man sich keine bessere Werbung für dieses Genre denken.
From Priscilla to Pappataci: L’italiana in Algeri in drag at the ROF
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Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.
A forgotten meta-opera at La Scala: Gassmann’s L’opera seria
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Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos.
À Garnier, le Così d'Anne Teresa De Keersmaeker tourne en rond
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La reprise de la mise en scène chorégraphiée d'Anne Teresa De Keersmaeker, créée en 2017, échoue à convaincre – au contraire de la direction musicale captivante de Pablo Heras-Casado.
Canadian Opera Company opens season with a Fidelio for our time
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A massive rotating cube, CCTV, an immigrants’ detention centre: Fidelio returns to the Toronto stage with a visually arresting production full of contemporary resonances.
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BruselasMedusaEstreno absoluto
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Bell: Medusa
Michiel Delanghe; Lydia Steier; La Monnaie | De Munt; Flurin Borg Madsen; Katharina Schlipf; Elana Siberski; La Monnaie Symphony Orchestra