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GenevaLa TempêteNueva producción
Martin: Der Sturm (The Tempest)
Thierry Fischer; Netia Jones; Grand Théâtre de Genève; Malcolm Rippeth; Orchestre de la Suisse Romande
LeedsEugene OneginNueva producción
Chaikovskiï: Eugene Onegin
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
Newcastle upon TyneEugene OneginNueva producción
Chaikovskiï: Eugene Onegin
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
SalfordEugene OneginNueva producción
Chaikovskiï: Eugene Onegin
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
NottinghamEugene OneginNueva producción
Chaikovskiï: Eugene Onegin
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
SeattleSalome
Strauss R.: Salomé
Benjamin Manis; Bruno Ravella; Seattle Opera; Leslie Travers; Malcolm Rippeth; Ashlee Naegle
Últimas críticasVer más...
Viennese splendour in Garsington’s Rosenkavalier revival
Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.
Comedy falls flat in ENO's season opening Cinderella
Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.
Rameau meets The Kardashians: Platée at Garsington
A superb orchestral performance from Paul Agnew and The English Concert lights up a breezy and fun staging of Rameau's ballet bouffon.
Carmen at Glyndebourne: a timeless tragedy
Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.
Radiant, comic, magical: Ariadne auf Naxos at Garsington Opera
An excellent singing cast combine with Bruno Ravella's sensitive direction and brilliant orchestral playing to bring to life Strauss' heady mix of farce and high art.
Fine cast shines in Garsington's new Mitridate
Robert Murray excels as the eponymous king in the opera seria that cemented the 14-year old Mozart’s position as the next big thing.