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MadridEl gato montés
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Penella: El gato montés
José Miguel Pérez-Sierra; Christof Loy; Teatro de la Zarzuela; Rafael Sánchez Araña; Manuel La Casta; Robby Duiveman; Albert Faura
ParísLa RondineVersión de concierto
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Puccini: La rondine
Roberto Kalb; Orchestre de l'Opéra National de Bordeaux; Chœur de l'Opéra National de Bordeaux; Mané Galoyan; Pene Pati
MadridVerdi - Simon Boccanegra
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Verdi: Simon Boccanegra
Nicola Luisotti; Pierre Audi; Teatro Real; Daniel Montané; Anish Kapoor; Wojciech Dziedzic; Jean Kalman
MadridJanácek - Katia KabanováNueva producción
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Janáček: Kátya Kabanová
Gustavo Gimeno; Christof Loy; Teatro Real; Étienne Pluss; Robby Duiveman; Fabrice Kebour; Orquesta Titular del Teatro Real
MúnichCarmen
Bizet: Carmen
Francesco Ivan Ciampa; Lina Wertmüller; Bayerische Staatsoper; Enrico Job; Franco Marri; Bayerisches Staatsorchester
DetroitPuccini’s La bohème: A love StoryVersión de concierto
Puccini: La bohème
Jader Bignamini; Detroit Symphony Orchestra; Francesco Demuro; Mané Galoyan; Will Liverman
Últimas críticasVer más...
Rigoletto cast dazzles in Lyric Opera of Chicago’s season opener
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Through brilliant singing and layered acting, Javier Camarena, Mané Galoyan, and Igor Golovatenko drive a Rigoletto to warm a traditionalist's heart.
Kasper Holten's cinematic Don Giovanni shines at the COC
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Kasper Holten’s much travelled and spectacular Don Giovanni gets a fresh and lively remount at Toronto’s Four Seasons Centre from a young cast headed up by Gordon Bintner.
Renaissance berlinoise pour les 7 Deaths of Maria Callas
Cette création-hommage à la Callas reprend les arias les plus célèbres de la chanteuse, habilement tissés entre eux par la musique de Marko Nikodijević et la présence de Marina Abramović.
A compelling Luisa Miller from Christof Loy at Glyndebourne
Christof Loy would seem to be the perfect director for Covid-era opera, his stripped back production of Verdi's rare middle period opera directed remotely from Austria.
A “poem of blood and lust” reconsidered at Deutsche Oper Berlin
If you have dismissed this opera as overstuffed kitsch in the past, you might want to take a look at this production. It could well change your mind.
Karaokeparty de luxe: L'elisir d'amore in Zürich
Gaetano Donizettis Oper muss ohne Chor auskommen und auch das Orchester ist nicht so ganz live dabei. Ein Experiment, das dennoch erstaunlich gut klingt.