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MadridEl gato montés
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Penella: El gato montés (The Wildcat)
José Miguel Pérez-Sierra; Christof Loy; Teatro de la Zarzuela; Rafael Sánchez Araña; Manuel La Casta; Robby Duiveman; Albert Faura
ParisLa RondineVersion de concert
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Puccini: La rondine
Roberto Kalb; Orchestre de l'Opéra National de Bordeaux; Chœur de l'Opéra National de Bordeaux; Mané Galoyan; Pene Pati
MadridVerdi - Simon Boccanegra
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Verdi: Simon Boccanegra
Nicola Luisotti; Pierre Audi; Teatro Real; Daniel Montané; Anish Kapoor; Wojciech Dziedzic; Jean Kalman
MadridJanácek - Katia KabanováNouvelle production
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Janáček: Katia Kabanova
Gustavo Gimeno; Christof Loy; Teatro Real; Étienne Pluss; Robby Duiveman; Fabrice Kebour; Orquesta Titular del Teatro Real
MunichCarmen
Bizet: Carmen
Francesco Ivan Ciampa; Lina Wertmüller; Bayerische Staatsoper; Enrico Job; Franco Marri; Bayerisches Staatsorchester
DetroitPuccini’s La bohème: A love StoryVersion de concert
Puccini: La bohème
Jader Bignamini; Detroit Symphony Orchestra; Francesco Demuro; Mané Galoyan; Will Liverman
Critiques récentesEn voir plus...
Renaissance berlinoise pour les 7 Deaths of Maria Callas
Cette création-hommage à la Callas reprend les arias les plus célèbres de la chanteuse, habilement tissés entre eux par la musique de Marko Nikodijević et la présence de Marina Abramović.
Rigoletto cast dazzles in Lyric Opera of Chicago’s season opener
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Through brilliant singing and layered acting, Javier Camarena, Mané Galoyan, and Igor Golovatenko drive a Rigoletto to warm a traditionalist's heart.
Kasper Holten's cinematic Don Giovanni shines at the COC
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Kasper Holten’s much travelled and spectacular Don Giovanni gets a fresh and lively remount at Toronto’s Four Seasons Centre from a young cast headed up by Gordon Bintner.
A compelling Luisa Miller from Christof Loy at Glyndebourne
Christof Loy would seem to be the perfect director for Covid-era opera, his stripped back production of Verdi's rare middle period opera directed remotely from Austria.
A “poem of blood and lust” reconsidered at Deutsche Oper Berlin
If you have dismissed this opera as overstuffed kitsch in the past, you might want to take a look at this production. It could well change your mind.
Karaokeparty de luxe: L'elisir d'amore in Zürich
Gaetano Donizettis Oper muss ohne Chor auskommen und auch das Orchester ist nicht so ganz live dabei. Ein Experiment, das dennoch erstaunlich gut klingt.