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Artiste: Mané Galoyan

Critiques récentesEn voir plus...

Karaokeparty de luxe: L'elisir d'amore in Zürich

L'elisir d'amore © Judith Schlosser (2014/15)

Gaetano Donizettis Oper muss ohne Chor auskommen und auch das Orchester ist nicht so ganz live dabei. Ein Experiment, das dennoch erstaunlich gut klingt.

Tchaikovsky’s tale of dark obsession sparkles with notable Met debuts

Igor Golovatenko (Yeletsky) and Lise Davidsen (Lise) © Ken Howard | Met Opera
The young soprano Lise Davidsen scored a successful debut at the Met, with impressive support by conductor Vasily Petrenko, also making a debut, led a memorable revival of Pique Dame

Mané Galoyan steals the show in a Traviata for our age

Noel Bouley Germont) and Emanuele D’Aguanno (Alfredo) © Robert Workman
An emotionally intense Violetta from Mané Galoyan in Tom Cairns' darkly challenging La traviata launches Glyndebourne Tour's 50th season

The pleasure of parody: delightful Opera seria

2016 Filene Young Artists give outstanding performance in Gassmann's Opera Seria.

Fear in future past: Siegfried at Houston Grand Opera

The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end. 

Magical debuts make the myth alive in Houston Grand Opera's Rusalka

Antonín Dvořák’s Rusalka, moving between the worlds and rooted in myth, is a shivering opera to experience with its opulent music and its fantastical plot.