Intérprete: Michael J. Scott

A new run of performances for Filippo Sanjust’s 1980s staging of Lucia di Lammermoor suggests that the Deutsche Oper still needs to shake off its post-summer holiday torpor.

Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”. 

Calixto Bieito inszeniert Mussorgskys unvollendete Oper als tödliches Machtgerangel verschiedener Gruppen. Bei der Gestaltung des Schlusses leistet er sich Freiheiten, die grenzwertig sind.

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko  conducting.

Swedish soprano Malin Byström returns to Sir David McVicar's production at Covent Garden, where she is now probably unsurpassed in the role, vocally and histrionically.