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Soif de pouvoir et folie meurtrière : Macbeth à Anvers
La mise en scène de Michael Thalheimer va à l’essentiel dans Macbeth, dernière production du mandat d'Aviel Cahn à la tête de l’Opéra de Flandre.
Decadence and decay: Asmik Grigorian leads a sensational Salome
Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”.
Machtvakuum im Kreml: Mussorgskys Chowanschtschina in Genf
Calixto Bieito inszeniert Mussorgskys unvollendete Oper als tödliches Machtgerangel verschiedener Gruppen. Bei der Gestaltung des Schlusses leistet er sich Freiheiten, die grenzwertig sind.
Penthouse decadence for a shattering new Salome in Geneva
The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.
Warlikowski’s prison: From the House of the Dead in Rome
The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko conducting.
Byström and Soddy lead superb Salome revival at the ROH
Swedish soprano Malin Byström returns to Sir David McVicar's production at Covent Garden, where she is now probably unsurpassed in the role, vocally and histrionically.