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Intérprete: Orchestra del Teatro Regio di Torino

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TurínCarmina buranaNew production

Orff: Carmina burana
Ilya Jivoy; Ballet of Tbilisi Opera; Orchestra del Teatro Regio di Torino; Coro di voci bianche Teatro Regio Torino; Coro del Teatro Regio di Torino

TurínThe Nutcracker

Chaikovskiï: El cascanueces
Alexei Fadeyechev; Nina Ananiashvili; Ballet of Tbilisi Opera; David Popiashvili; Ana Kalatozishvili; Virginio Levrio; Orchestra del Teatro Regio di Torino

TurínRoberto Bolle and Friends

Orchestra del Teatro Regio di Torino; Roberto Bolle
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TurínManon Lescaut

Puccini: Manon Lescaut
Gianandrea Noseda; Vittorio Borrelli; Teatro Regio di Torino; Thierry Flamand; Christian Gasc; María José Siri; Gregory Kunde

TurínLa donna serpente

Casella: La donna serpente
Gianandrea Noseda; Arturo Cirillo; Teatro Regio di Torino; Dario Gessati; Gianluca Falaschi; Erika Grimaldi; Francesca Sassu

TurínIl barbiere di Siviglia (The Barber of Seville)

Rossini: Il barbiere di Siviglia
Giampaolo Bisanti; Vittorio Borrelli; Teatro Regio di Torino; Claudia Boasso; Luisa Spinatelli; Chiara Amarù; Antonino Siragusa
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Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

The Pearl Fishers: Turin opens its operatic season

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

The first modern staged performance of Paër’s Agnese in Turin

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

In Turin's Trovatore, the women carry the day

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

A strong Italian cast for Così fan tutte in Turin

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

On the female condition: two 20th-century operas in Turin

Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.