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Nederlandse Reisopera’s Fidelio makes opera truly accessible for all
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This was opera which found expression using modern technology in a way that did not offend, intimidate or distract the audience, but rather enhanced the experience.
L'Ariane à Naxos de Katie Mitchell : lumières tamisées au TCE
Reprise mitigée de l'opéra de Richard Strauss au Théâtre des Champs-Elysées : Olga Pudova, Camilla Nylund et Kate Lindsey tiennent le haut du pavé ; Katie Mitchell échoue à divertir.
Blissful soprano singing: Ariadne in Aix
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Lise Davidsen and Sabine Devieilhe produce soprano heaven in their contrasting vocal styles. Katie Mitchell’s staging feels disappointingly familiar.