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Intérprete: Raehann Bryce-Davis

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ÁmsterdamPagliacci / Cavalleria rusticana

Riccardo Massi (Canio) © De Nationale Opera | Bart Grietens
Leoncavallo, Mascagni
Andrea Battistoni; Robert Carsen; Dutch National Opera; Radu Boruzescu; Annemarie Woods; Peter van Praet; Netherlands Philharmonic Orchestra

LondresIl trittico

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Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
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Musical triumph meets voyeuristic violence in Carsen’s Pag & Cav

Riccardo Massi (Canio) © De Nationale Opera | Bart Grietens
Dutch National Opera’s powerhouse cast and incandescent chorus deliver a musical triumph in Robert Carsen’s Cav/Pag revival, even as its voyeuristic staging leaves bitter ethical questions around gendered violence unresolved.

Machtvakuum im Kreml: Mussorgskys Chowanschtschina in Genf

Chowanschtschina © Carole Parodi
Calixto Bieito inszeniert Mussorgskys unvollendete Oper als tödliches Machtgerangel verschiedener Gruppen. Bei der Gestaltung des Schlusses leistet er sich Freiheiten, die grenzwertig sind.

Forbidden love in times of war: Aida at The Royal Opera

George Andguladze (King of Egypt) and Raehann Bryce-Davis (Amneris) © RBO | Marc Brenner
Strong performances by chorus, orchestra and the father-daughter pairing of Amartuvshin Enkhbat and Anna Pirozzi make this Covent Garden revival well worth the visit.

A Puccini hat-trick: Barrie Kosky directs Il trittico in Amsterdam

Joshua Guerrero (Luigi), Leah Hawkins (Giorgetta) and Daniel Luis de Vicente (Michele) © Monika Rittershaus | Dutch National Opera
Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging. 

Dudamel and the LA Phil illuminate Rheingold

Ryan Speedo Green (Wotan) and Raehann Bryce-Davis (Fricka) © Timothy Norris, courtesy of the Los Angeles Philharmonic Association
A fully-staged performance of Wagner's Das Rheingold transforms Walt Disney Concert Hall to an opera house where the orchestra is the star. 

Malcolm X reaches the Met Opera at a crucial time

Will Liverman (Malcolm) © Marty Sohl | Met Opera

Anthony Davis’ groundbreaking opera, with a jazz band in the middle of the orchestra and a book that focuses more on crises than victories, proves hard to see as an heroic tale.