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BerlínDie Entführung aus dem Serail

Mozart: El rapto en el serrallo (Die Entführung aus dem Serail)
Tim Fluch; Andrea Moses; Staatsoper Berlin; Raimund Bauer; Anja Rabes; Irene Selka; Staatskapelle Berlin
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Cheap laughs in Staatsoper Berlin’s new Entführung aus dem Serail

Andrea Moses transforms Mozart’s opera into a hybrid of Singspiel, stand-up comedy and cabaret, a concept that rarely deepens the work and often competed directly with it.
Emojis statt Emotionen: Miroslav Srnkas Singularity in München
Kompositorisch überzeugt Srnkas Oper mit atmosphärischen und futuristischen Klangwelten, doch sie leidet unter dem Stillstand des Librettos.
WNO tackles Vêpres but the vocal fireworks fail to ignite
David Pountney completes his “Verdi trilogy” for the company but although his staging has fluidity, it lacks an explosive ending... and the vocal performances disappoint.
Ballo II, the American cut: an indigestible staging at WNO
Musically, WNO gets it right. Straightforward brilliance is the order of the day, and plenty of it.
Agréable Ville morte au Capitole de Toulouse
Au Théâtre du Capitole de Toulouse, la ténébreuse Ville morte de Korngold est allégée par la mise en scène de Philipp Himmelmann. Direction musicale souple et plateau vocal équilibré complètent la production.
From darkness to light: Mosè in Egitto in Naples
David Pountney’s 2014 staging was revived in Naples with good singing and empathetic conducting.
