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Carmen at Glyndebourne: a timeless tragedy
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Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.
Ailyn Pérez shines in Daniel Catán's verdant, shimmering Florencia
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The Metropolitan Opera premieres Florencia en el Amazonas by Mexican composer Daniel Catán in an eye-catching, warm production by Mary Zimmerman.
Carmen at Glimmerglass: visually striking, dramatically inconsistent
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Denyce Graves, once the reigning Carmen of her day, directs a new production full of interesting choices that rarely cohere.