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Boston Early Music Festival strikes again with a knockout Octavia
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Once again, the BEMF brings a Baroque opera back to life. Reinhard Keiser’s 1705 Octavia is exceptionally well sung, adroitly staged, designed and danced, with impeccable musicianship.
Juilliard 415 excels in French and Italian Baroque in Auckland
In each brief and catchy excerpt, the ensemble played with infectious vitality and admirable precision.
Demons and monsters: Rameau at the Boston Early Music Festival
The Boston Early Music Festival Orchestra led by Robert Mealy, with soprano Emőke Baráth and dancers Caroline Copeland and Pierre-François Dollé, showcase Rameau's vitality and originality.