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Londres‘Ariadne auf Naxos’ from GlyndebourneVersión semiescenificada
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
ParísOrchestre de Paris / Robin Ticciati / Seong-Jin Cho - Strauss II, Beethoven, Dvořák
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Strauss II, Beethoven, Dvořák
Orchestre de Paris; Robin Ticciati; Seong-Jin Cho
MúnichAriadne auf Naxos
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Robert Carsen; Bayerische Staatsoper; Peter Pabst; Falk Bauer; Manfred Voss; Bayerisches Staatsorchester
LondresStrauss’s Ein Heldenleben
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Sibelius, Hindemith, Strauss R.
London Philharmonic Orchestra; Robin Ticciati; Vilde Frang
Múnich2. Akademiekonzert: Robin Ticciati
Sibelius, Strauss R.
Bayerisches Staatsorchester; Robin Ticciati
GlyndebourneToscaNueva producción
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Puccini: Tosca
Robin Ticciati; Ted Huffman; Glyndebourne Festival Opera; Jordan de Souza; Nadja Sofie Eller; Astrid Klein; DM Wood
Últimas críticasVer más...
Glyndebourne’s first Tosca: vocally strong but imperfect
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Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski
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Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Mixed Mozart from the Orchestra of the Age of Enlightenment
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A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.
Berlioz’ Roméo et Juliette beim BRSO in München
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Shakespeares wohl berühmteste und zugleich tragischste Liebesgeschichte in Hector Berlioz’ dramatischer Chor-Symphonie Roméo et Juliette begeisterte in der Isarphilharmonie unter Robin Ticciati.
L'orfèvrerie de Piemontesi et Ticciati avec le Philhar'
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Dans le Concerto n° 4 de Beethoven, le pianiste suisse et le chef britannique se sont parfaitement trouvés, aux côtés d'un Orchestre Philharmonique de Radio France juste et inspiré.
Glyndebourne revives Michieletto’s Kátya Kabanová
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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.