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Londres‘Ariadne auf Naxos’ from GlyndebourneVersión semiescenificada
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
ParísOrchestre de Paris / Robin Ticciati / Seong-Jin Cho - Strauss II, Beethoven, Dvořák
Strauss II, Beethoven, Dvořák
Orchestre de Paris; Robin Ticciati; Seong-Jin Cho
MúnichAriadne auf Naxos
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Robert Carsen; Bayerische Staatsoper; Peter Pabst; Falk Bauer; Manfred Voss; Bayerisches Staatsorchester
LondresStrauss’s Ein Heldenleben
Sibelius, Hindemith, Strauss R.
London Philharmonic Orchestra; Robin Ticciati; Vilde Frang
Múnich2. Akademiekonzert: Robin Ticciati
Sibelius, Strauss R.
Bayerisches Staatsorchester; Robin Ticciati
GlyndebourneAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
Últimas críticasVer más...
Glyndebourne’s first Tosca: vocally strong but imperfect
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski
Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Mixed Mozart from the Orchestra of the Age of Enlightenment
A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.
Berlioz’ Roméo et Juliette beim BRSO in München
Shakespeares wohl berühmteste und zugleich tragischste Liebesgeschichte in Hector Berlioz’ dramatischer Chor-Symphonie Roméo et Juliette begeisterte in der Isarphilharmonie unter Robin Ticciati.
L'orfèvrerie de Piemontesi et Ticciati avec le Philhar'
Dans le Concerto n° 4 de Beethoven, le pianiste suisse et le chef britannique se sont parfaitement trouvés, aux côtés d'un Orchestre Philharmonique de Radio France juste et inspiré.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.