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MúnichSemele
Handel: Semele
Leonardo García-Alarcón; Claus Guth; Bayerische Staatsoper; Michael Levine; Gesine Völlm; Michael Bauer; Bayerisches Staatsorchester
MúnichGötterdämmerungNueva producción
Wagner: Götterdämmerung
Vladimir Jurowski; Tobias Kratzer; Bayerische Staatsoper; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MúnichGötterdämmerungNueva producción
Wagner: Götterdämmerung
Vladimir Jurowski; Tobias Kratzer; Bayerische Staatsoper; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
LondresIl trittico
Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
Últimas críticasVer más...
Jenůfa en Les Arts: refinamiento orquestal y crudeza en el drama
La notable ópera de Janáček cobra vida en un entorno industrial ideado por Katie Mitchell, mientras Gustavo Gimeno dirige meticulosamente desde el foso la Orquestra de la Comunitat Valenciana.
Le Macbeth cartoonesque d’Herbert Fritsch au Theater Basel
Dans un décor unique qui rappelle le générique des Looney Tunes, le metteur en scène trouve une formule convaincante pour montrer la folie de l'œuvre de Verdi de manière originale.
Überragende Frau ohne Schatten in Amsterdam
Marc Albrechts und Katie Mitchell machen Richard Strauss‘ Märchenoper zum rasant-schockenden Sci-Fi-Thriller.
A Puccini hat-trick: Barrie Kosky directs Il trittico in Amsterdam
Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging.
Confusion clouds any central critique in Clément's Don Giovanni
Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.
No rust on Glyndebourne’s classic The Rake’s Progress
It's been in the Glyndebourne rep for almost fifty years, but John Cox's production, complete with Hockney's iconic set, remains timeless. Robin Ticciati's superb conducting and an excellent cast made this latest revival a complete success.