Nuestra política de privacidad se actualizó por última vez el lunes 24 junio 2019Consultar aquíEliminar
Acceder
Bachtrack logo
Home
Programación
Críticas
Artículos
Video
Site
EventosCríticasArtículos

Intérprete: Sara Mearns

Últimas críticasVer más...

NYCB does Cunningham ... and Balanchine

New York City Ballet in Merce Cunningham’s Summerspace © Erin Baiano
Judging by the enthusiastic audience reactions to this program one might have to rethink the modern/ballet divide. Maybe there’s only two types of dance – good dance and bad dance. 

Fall season's new works fall short at NYCB

Mary Thomas MacKinnon and Company in Lauren Lovette’s The Shaded Line © Erin Baiano
Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer. 

Union Jack makes a welcome return to NYCB's repertoire

Teresa Reichlen and New York City Ballet in George Balanchine’s Union Jack © Paul Kolnik
Union Jack isn't a Balanchine masterpiece – it's more of a fun-sterpiece, which is even better.

Something for everyone: Balanchine + Wheeldon at New York City Ballet

New York City Ballet in Christopher Wheeldon’s DGV: Danse à Grand Vitesse © Paul Kolnik
Whatever your taste in ballet, this program probably had it: Wheeldon's DGV meets Balanchine's Door and a Sigh and Raymonda Variations

Barber, Broadway and Balanchine bring a buzz to New York City Ballet

Sara Mearns in Balanchine's Slaughter on Tenth Avenue © Paul Kolnik
Maria Kowroski and Tyler Angle at the top of their game in Diamonds. A smoking performance from Sara Mearns in Slaughter on 10th Avenue. Strong debuts from Emma Von Enck and Taylor Stanley and a memorable classical turn by Aaron Sanz in the Barber.