NYCB: Justin Peck revisits the familiar in Mystic Familiar

Joseph Gordon in Alexei Ratmansky's Solitude

Mira Nadon, Chun Wai Chan and the Company in Alexei Ratmansky's Solitude

Aarón Sanz and Jules Mabie in Caili Quan's Beneath the Tides

Taylor Stanley in Justin Peck's Mystic Familiar

New York City Ballet in Justin Peck's Mystic Familiar

Por Ivy Lin, 11 mayo 2025

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“a remarkable performance from Gordon, who uncovers emotional depths I had never seen in his dancing”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 10 mayo 2025

Beneath the Tides (Caili Quan)

Solitude (Alexei Ratmansky)

Mystic Familiar (Justin Peck)

New York City Ballet

New York City Ballet Orchestra

Mira Nadon, Bailarín

Sara Mearns, Bailarín

Ashley Hod, Bailarín

Alexa Maxwell, Bailarín

Joseph Gordon, Bailarín

Indiana Woodward, Bailarín

Unity Phelan, Bailarín

Preston Chamblee, Bailarín

Taylor Stanley, Bailarín

Naomi Corti, Bailarín

Emily Kikta, Bailarín

Peter Walker, Bailarín

Tiler Peck, Bailarín

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

Contemporary escapism at New York City Ballet

Carla Escoda, 1st May

A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)