Intérprete: Simon Lim

La nueva producción del Teatro Real, musicalmente brillante, se presenta como una lectura incómoda, además de por el contenido, por las formas, que radicalmente se oponen a reducir a Rigoletto a un mero entretenimiento.

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little. 

A concert performance of a middle period rarity is part of a slimmed down festival which transfers to an online format to audiences across the globe.

This is one of Michieletto's simplest stagings yet, the imagery used to a minimum to allow for focus on the psychological core.

La Fenice presents Rossini’s monumental farewell to Italy and to 18th-century tradition in Ligorio’s elegant new production with a superb cast.

The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.