A psychological Macbeth at La Fenice

Por James Imam, 26 noviembre 2018

Descargando, espere, por favor...

Ver la programación

“Luca Salsi... a wealth of emotions conveyed in defiant roars, plangent moans and cowering whispers”

Crítica hecha desde Teatro La Fenice, Venice el 23 noviembre 2018

Verdi, Macbeth

Teatro La Fenice

Myung-whun Chung, Dirección

Damiano Michieletto, Dirección de escena

Luca Salsi, Macbeth

Vittoria Yeo, Lady Macbeth

Simon Lim, Banquo

Stefano Secco, Macduff

Marcello Nardis, Malcolm

Elisabetta Martorana, Lady in Waiting

Armando Gabba, Doctor

Coro del Teatro La Fenice

Orchestra del Teatro La Fenice

Un Ernani desacomplejado y gótico en Les Arts

Daniel Martínez Babiloni, 7th June

Les Arts concluyó la temporada con Ernani en una producción que concita tradición y modernidad, en torno a una lectura musical desprejuiciada y una versión basada en el drama gótico original.

***11

La clemenza di Tito at La Fenice: splendid score, sterile stage

Laura Servidei, 23rd November

Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.

****1

Vivaldi’s pasticcio Bajazet given an extravagant staging

Laura Servidei, 7th June

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style.

****1

Orlando furioso: Vivaldi returns to Venice in a Baroque feast

Laura Servidei, 23rd September

Fabio Ceresa's spectacular production to the Teatro Malibran with a strong cast in the hands of Diego Fasolis.

****1

La Fenice closes season with a lively new Fille du regiment

Laura Servidei, 14th October

John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.

***11

Full fathom five: Peter Grimes at La Fenice

Elena Luporini, 24th June

Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.

*****

Más críticas...

James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

A psychological Macbeth from Michieletto and Chung at La Fenice