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ParísLe Crépuscule des dieux (Götterdämmerung)Nueva producción
Wagner: Götterdämmerung
Ching-Lien Wu; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
ParísLe Crépuscule des dieux
Wagner: Götterdämmerung
Pablo Heras-Casado; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
DublinTurandot
Puccini: Turandot
Valerio Galli; Sir David McVicar; Irish National Opera; Charles Edwards; Doey Lüthi; Ben Pickersgill; Irish National Opera Orchestra
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Rusalka visibiliza la discapacidad en Les Arts
Christof Loy convierte la fábula Rusalka en una sensible y fina escenificación de la discapacidad.
Strauss' Elektra in München: archaischer Racherausch
Herbert Wernickes fast 30 Jahre alte Inszenierung von Richard Strauss' monumentalem Einakter ist auch heute ein faszinierend visuelles wie musikalisches Erlebnis.
Sensitive stagecraft and directorial rage: Suor Angelica at ENO
Miskimmon's relocation of the action to Ireland is unsparing in its evocation not of some tearjerking melodrama but of an almost documentary reportage on real events.
Jurowski completes his slow-burn LPO Ring cycle with Götterdämmerung
Vladimir Jurowski's six-year Ring with the LPO closes as the cycle began: a gleaming, golden ring with a black hole at its core.
Gore and psychotic desire: INO stages a magnificent Salome
Bruno Ravella's production features excellent singing from its principals in Dublin, but it is Sinéad Campbell-Wallace who shines as the eponymous heroine.
Puccini's “shabby little shocker” fails to shock in Toronto
Fourth time around Paul Curran’s production of Tosca at the Canadian Opera Company is workmanlike and well sung, but lacks the necessary dramatic edge to be truly memorable.
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ParísLe Crépuscule des dieux
Wagner: Götterdämmerung
Pablo Heras-Casado; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris