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ParisLe Crépuscule des dieux (Götterdämmerung)Nouvelle production
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Wagner: Crépuscule des dieux (Götterdämmerung)
Ching-Lien Wu; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
ParisLe Crépuscule des dieux
Wagner: Crépuscule des dieux (Götterdämmerung)
Pablo Heras-Casado; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris
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Strauss' Elektra in München: archaischer Racherausch
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Herbert Wernickes fast 30 Jahre alte Inszenierung von Richard Strauss' monumentalem Einakter ist auch heute ein faszinierend visuelles wie musikalisches Erlebnis.
Sensitive stagecraft and directorial rage: Suor Angelica at ENO
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Miskimmon's relocation of the action to Ireland is unsparing in its evocation not of some tearjerking melodrama but of an almost documentary reportage on real events.
Jurowski completes his slow-burn LPO Ring cycle with Götterdämmerung
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Vladimir Jurowski's six-year Ring with the LPO closes as the cycle began: a gleaming, golden ring with a black hole at its core.
Gore and psychotic desire: INO stages a magnificent Salome
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Bruno Ravella's production features excellent singing from its principals in Dublin, but it is Sinéad Campbell-Wallace who shines as the eponymous heroine.
Rusalka visibiliza la discapacidad en Les Arts
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Christof Loy convierte la fábula Rusalka en una sensible y fina escenificación de la discapacidad.
Puccini's “shabby little shocker” fails to shock in Toronto
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Fourth time around Paul Curran’s production of Tosca at the Canadian Opera Company is workmanlike and well sung, but lacks the necessary dramatic edge to be truly memorable.
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ParisLe Crépuscule des dieux
Wagner: Crépuscule des dieux (Götterdämmerung)
Pablo Heras-Casado; Calixto Bieito; Opéra national de Paris; Rebecca Ringst; Ingo Krügler; Michael Bauer; Orchestre de l'Opéra national de Paris