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A disappointing new Dvořák Armida at the Prague National Theatre
Armida offers a compelling story, resonant issues and the spectacle of dueling wizards – but unfortunately, not in this production.
Exquisite musicianship in Met's revival of Il trovatore
Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili
Trinks’ cut and paste Siegfried far from idyllic
Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.
Nadine Sierra sauve Rigoletto aux Chorégies
Ouverture en demi-teinte de l'édition 2017 des Chorégies d'Orange avec un Rigoletto inégal.
Netrebko a magnificent Tatyana in The Met's Onegin
The evening was dominated by Anna Netrebko, who reprised the role of Tatiana with fresh insights and vocal charisma. Robin Ticciati led the Met Orchestra to probe a new depth of the score.
Verirrt im Garten der Lüste
Verdis Macbeth als Beitrag zum Hieronymus Bosch-Gedenkjahr: Schauriges zu schöner Musik, Inszenierung mit vielen Fragezeichen.