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A disappointing new Dvořák Armida at the Prague National Theatre

Armida offers a compelling story, resonant issues and the spectacle of dueling wizards – but unfortunately, not in this production.
Exquisite musicianship in Met's revival of Il trovatore
Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili
Trinks’ cut and paste Siegfried far from idyllic
Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.
Netrebko a magnificent Tatyana in The Met's Onegin
The evening was dominated by Anna Netrebko, who reprised the role of Tatiana with fresh insights and vocal charisma. Robin Ticciati led the Met Orchestra to probe a new depth of the score.
Enescu's Oedipe at the Royal Opera
Johan Reuter leads an all star cast in a revelatory performance of George Enescu's masterpiece, aided by spectacular La Fura dels Baus staging.
The Met overindulges in a decadent Rigoletto
Does it really matter where an opera is set? These days, this question seems to trail Rigoletto.
