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A disappointing new Dvořák Armida at the Prague National Theatre
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Armida offers a compelling story, resonant issues and the spectacle of dueling wizards – but unfortunately, not in this production.
Exquisite musicianship in Met's revival of Il trovatore
Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili
Trinks’ cut and paste Siegfried far from idyllic
Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.