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Intérprete: Stuart Jackson

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LiverpoolMessiah

© Gareth Jones
Handel: El Mesías
Royal Liverpool Philharmonic Orchestra; Matthew Hamilton; Hilary Cronin; Katie Bray; Stuart Jackson; James Platt

MánchesterThe Hallé - St John Passion

© The Hallé
Bach: Pasión según San Juan, BWV245
The Hallé; Laurence Cummings; Ed Lyon; George Humphreys; Nardus Williams; Reginald Mobley

High WycombeIl ritorno d'Ulisse in patriaNueva producción

Ed Lyon (Ulisse) © Julian Guidera
Monteverdi: Il ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert
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Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

Kangmin Justin Kim (Nerone) and Kerstin Avemo (Poppea) © Miklos Szabo

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom. 

John Findon triumphs in the return of Opera North’s Peter Grimes

John Findon (Peter Grimes) © James Glossop
Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

The Magic Flute returns in triumph to the Royal Opera House

Lucy Crowe (Pamina), Amitai Pati (Tamino) and the Royal Opera Chorus © The Royal Opera | Johan Persson
Sir David McVicar's classic staging of The Magic Flute, now over 20 years old, shines afresh in a stylish performance conducted by Marie Jacquot, making her Covent Garden debut.  

Au Theater Basel, le sacre de Poppée à l’heure de la Realpolitik

Le Couronnement de Poppée au Theater Basel © Ingo Höhn
Le metteur en scène suisse frappe très fort en se livrant comme rarement sur ses craintes géopolitiques, dans une production qui fait de l'œuvre de Monteverdi un fascinant manifeste d’ascétisme, d’austérité, d’aridité.

Joélle Harvey is outstanding in Glyndebourne's incendiary Semele

Jennifer Johnston (Juno), Joélle Harvey (Semele) and Stephanie Wake-Edwards (Ino) © Glyndebourne Productions Ltd. Photo: Richard Hubert Smith
Adele Thomas makes a good case for Semele's operatic credentials in her production which makes effective nods towards Baroque opera’s devotion to spectacle.
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LondresSamson

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Handel: Samson
Harry Bicket; The English Concert; Stuart Jackson; Paula Murrihy; Matthew Brook