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GlyndebourneThe Barber of Seville
Rossini: Il barbiere di Siviglia
Chloe Rooke; Annabel Arden; Glyndebourne Autumn; Joanna Parker; James Farncombe; Glyndebourne Sinfonia
GlyndebourneThe Marriage of Figaro
Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Bertie Baigent; Mariame Clément; Glyndebourne Autumn; Julia Hansen; Paule Constable; Glyndebourne Sinfonia
GlyndebourneBeethoven 9
Chaikovskiï, Beethoven
Glyndebourne Sinfonia; Adam Hickox; Madeline Boreham; Natalie Lewis; Stuart Jackson; Por confirmar
GlyndebourneSparkEstreno absoluto
Armstrong: Spark
Ashley Beauchamp; Fiona Dunn; Glyndebourne Youth Opera; Ryan Dawson Laight; Howard Hudson; Glyndebourne Sinfonia
GlyndebourneChristmas Concerts
Unknown
Glyndebourne Sinfonia; Aidan Oliver; The Glyndebourne Chorus; Glyndebourne Youth Opera
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The fizz remains in Glyndebourne’s Barber of Seville
Glyndebourne revives Annabel Arden's colourful production of Rossini’s The Barber of Seville, with a strong vocal and comedic cast and clear musical direction from Chloe Rooke.
A day in the life: revisiting the Almavivas at Glyndebourne
A fine cast of debutants give an engaging account of Mariame Clément's day out in Seville in a magnificent Marriage of Figaro staging that shows what goes around comes around.
Triumphant revival of Die Entführung aus dem Serail at Glyndebourne
Thanks to a vibrant clutch of performances and abetted by designer Vicki Mortimer‘s detailed, exotic sets, director Sir David McVicar tells it straight.
Passion without the fireworks: Ariadne auf Naxos at Glyndebourne
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement.
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,