Live Eventsmehr...
GlyndebourneThe Barber of Seville
Rossini: Il barbiere di Siviglia (Der Barbier von Sevilla)
Chloe Rooke; Annabel Arden; Glyndebourne Autumn; Joanna Parker; James Farncombe; Glyndebourne Sinfonia
GlyndebourneThe Marriage of Figaro
Mozart: Le nozze di Figaro (Die Hochzeit des Figaro)
Bertie Baigent; Mariame Clément; Glyndebourne Autumn; Julia Hansen; Paule Constable; Glyndebourne Sinfonia
GlyndebourneBeethoven 9
Tschaikowsky, Beethoven
Glyndebourne Sinfonia; Adam Hickox; Madeline Boreham; Natalie Lewis; Stuart Jackson; N.N.
GlyndebourneSparkUraufführung
Armstrong: Spark
Ashley Beauchamp; Fiona Dunn; Glyndebourne Youth Opera; Ryan Dawson Laight; Howard Hudson; Glyndebourne Sinfonia
GlyndebourneChristmas Concerts
Glyndebourne Sinfonia; Aidan Oliver; The Glyndebourne Chorus; Glyndebourne Youth Opera
Neue Kritikenmehr...
Glyndebournes erste Tosca: stimmlich stark, dramatisch unausgereift
Ted Huffman wartet mit einigen interessanten Ideen in seiner ersten Inszenierung in Glyndebourne auf. Leider wird das exzellente Singen durch gleichgültiges Schauspielen getrübt.
The fizz remains in Glyndebourne’s Barber of Seville
Glyndebourne revives Annabel Arden's colourful production of Rossini’s The Barber of Seville, with a strong vocal and comedic cast and clear musical direction from Chloe Rooke.
A day in the life: revisiting the Almavivas at Glyndebourne
A fine cast of debutants give an engaging account of Mariame Clément's day out in Seville in a magnificent Marriage of Figaro staging that shows what goes around comes around.
Triumphant revival of Die Entführung aus dem Serail at Glyndebourne
Thanks to a vibrant clutch of performances and abetted by designer Vicki Mortimer‘s detailed, exotic sets, director Sir David McVicar tells it straight.
Passion without the fireworks: Ariadne auf Naxos at Glyndebourne
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement.
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.