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GlyndebourneDie Entführung aus dem Serail (The Abduction from the Harem)
Mozart: Die Entführung aus dem Serail
Evan Rogister; Sir David McVicar; Glyndebourne Festival Opera; Vicki Mortimer; Paule Constable; Orchestra of the Age of Enlightenment
GlyndebourneAriadne auf NaxosNeuinszenierung
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
GlyndebourneToscaNeuinszenierung
Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
GlyndebourneThe Marriage of Figaro
Mozart: Le nozze di Figaro (Die Hochzeit des Figaro)
Bertie Baigent; Mariame Clément; Glyndebourne Autumn; Julia Hansen; Paule Constable; Glyndebourne Sinfonia
GlyndebourneThe Barber of Seville
Rossini: Il barbiere di Siviglia (Der Barbier von Sevilla)
Chloe Rooke; Annabel Arden; Glyndebourne Autumn; Joanna Parker; James Farncombe; Glyndebourne Sinfonia
GlyndebourneBeethoven 9
Tschaikowsky, Beethoven
Glyndebourne Sinfonia; Adam Hickox; Madeline Boreham; Natalie Lewis; Stuart Jackson; N.N.
Neue Kritikenmehr...
Glyndebournes erste Tosca: stimmlich stark, dramatisch unausgereift
Ted Huffman wartet mit einigen interessanten Ideen in seiner ersten Inszenierung in Glyndebourne auf. Leider wird das exzellente Singen durch gleichgültiges Schauspielen getrübt.
Triumphant revival of Die Entführung aus dem Serail at Glyndebourne
Thanks to a vibrant clutch of performances and abetted by designer Vicki Mortimer‘s detailed, exotic sets, director Sir David McVicar tells it straight.
Passion without the fireworks: Ariadne auf Naxos at Glyndebourne
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement.
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.