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Blutleerer Liebes-Albtraum: Manon Lescaut in Hamburg
Leider scheitern die guten Ideen des Regisseurs, Philipp Himmelmann, an der Umsetzung.
A tale of many Tchaikovskys: The Queen of Spades at ROH
Herheim places the composer at the centre of his opera in a staging that's clever and erudite but somewhat cold; musical performances are mixed.
Klepper’s Norma self destructs in Graz
Not only was the production devoid of Druids or Romans, it turned Bellini’s bel canto masterpiece into an implausible, trite, contemporary crypto-Che Guevara misadventure.