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Intérprete: William Morgan

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OxfordThe Songs Of Edith Piaf

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Emer, Giraud, Monnot, Glanzberg, Steinitz, Dumont, Chauvigny, Villard
Katie Bray; William Vann; Alessandro Fisher; William Morgan

LondresOrpheus and Eurydice

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Gluck: Orfeo ed Euridice
Iwan Davies; Jenny Ogilvie; English Touring Opera; Noemi Daboczi; Joe Hornsby; William Morgan

LyonSaloméNueva producción

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Strauss R.: Salomé
Constantin Trinks; Calixto Bieito; Opéra de Lyon; Anna-Sofia Kirsch; Paula Klein; Michael Bauer; Orchestre de l'Opéra de Lyon
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Billy Budd ou le triomphe de la beauté à l'Opéra de Lyon

Billy Budd à l'Opéra de Lyon © Jean-Louis Fernandez
L'Opéra de Lyon propose pour la première fois le chef-d'œuvre de Britten à son public : une réussite tant visuelle que musicale, accueillie avec enthousiasme par les spectateurs. 

ENO, BBC join forces in stunning Lady Macbeth of Mtsensk

Amanda Majeski (Katerina Izmailova) © Andy Paradise
David Pountney's vernacular translation and Ruth Knight's vivid staging lent a thrilling immediacy to Shostakovich's chilling opera.

A mafioso Merry Widow at Opera Holland Park

Alex Otterburn (Danilo) © Mihaela Bodlovic
Despite some excellent music-making, John Savournin's production is hindered by a laboured New York relocation. 

Scottish Opera’s Merry Widow tangles with the New York Mafia

Paula Sides (Hanna Glawari) © Mihaela Bodlovic

With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous. 

Theatrically poverty-stricken: ETO's Blond Eckbert

Blond Eckbert © Richard Hubert Smith
Judith Weir's cryptic folk opera lacks the narrative propulsion necessary to enthral an audience, and without resolution there is no catharsis.

The darker side of G&S: Yeomen of the Guard at Holland Park

Matthew Kellett (Jack Point) © Ellie Kurttz
Some good singing performances can't overcome a dated feeling of Gilbert's humour: the evening improves as the storm clouds gather.