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LondresShostakovich Piano Concerto No. 2 with Nobuyuki

Ngwenyama, Shostakovich, Prokofiev
Philharmonia Orchestra; Xian Zhang; Nobuyuki Tsujii
SeattleTchaikovsky’s First Piano Concerto and Zarathustra

Chaikovskiï, Strauss R.
Seattle Symphony; Xian Zhang; Tony Siqi Yun
SeattleMozart’s Requiem with Xian

Pereira, Mozart
Seattle Symphony; Xian Zhang; Eric Schweikert; Mei Gui Zhang; Sarah Larsen; Eric Ferring
Los AngelesSimply Beethoven: The “Emperor” Concerto and Symphony No. 4

Beethoven
Los Angeles Philharmonic; Xian Zhang; Rudolf Buchbinder
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La OCNE brillan con el Messiah de Handel
Bajo la batuta de Xian Zhang y acompañados por Sabina Puértolas, Sonia Prina, Matthias Stier y Christian Senn, la Orquestra y el Coro Nacional de España recibían las Navidades interpretando el Messiah de Händel en el Auditorio Nacional de Madrid.
Tradition and modernity: Bronfman and Zhang shine in New York

Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.
Elisabet Strid renders Tosca an Everywoman in Helsinki

Christof Loy’s psychological staging returns to the stage of Finnish National Opera, with Swedish soprano Elisabet Strid compelling in the title role.
All about Asmik: Grigorian debuts at the Met in Madama Butterfly

Asmik Grigorian's astonishing acting and subtle vocalism make for a promising Met debut in this revival of Anthony Minghella's lacquered staging.
Aleksandra Kurzak emerges as a charismatic Butterfly at the Met

Anthony Minghella’s highly stylized Madama Butterfly returns to New York for its ninth revival, with the Polish soprano delivering a thrilling performance in a Met role debut.
L'ardeur de Xian Zhang avec l'Orchestre symphonique de Montréal
La Moldau dirigée par Xian Zhang n’est pas une croisière tranquille où l’on prendrait à loisir des photos de paysages ; c’est un torrent joyeux qui nous emporte et nous charrie de tableaux en tableaux.
Latest articles
Xian Zhang on her debut with the Philharmonia Orchestra
Ahead of her first concerts with the Philharmonia, the Chinese conductor talks about Shostakovich and the challenges of performing four concerts in four venues in four days.
