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Guide to contemporary music

Articles and interviews
Interview
Accediendo al futuro con el Cuarteto Kronos
“When I was starting out in high school, there was no such thing as African string quartet music”. We speak to David Harrington, founder of the intrepid Kronos Quartet, to discuss the group's Fifty for the Future project, which aims to build a new string quartet repertoire for the 21st century. Find out how the group is helping young string quartets to play Inuit throat music and Egyptian wedding rave.
Unsuk Chin © Priska KettererUnsuk Chin on literature, creativity and solitude
Talking to the idiosyncratic composer about the difficulty of being seen as an individual.
Julia Wolfe © Peter SerlingBang on a Can’s utopia in a crazy world
Looking back on 30+ years of new music-making with Julia Wolfe and Michael Gordon.
© Dilip BhatiaAn Indian classical maestro on his sarod concerto
We talk with renowned sarod master Amjad Ali Khan.
Patricia Kopatchinskaja © Julia WeselyPatricia Kopatchinskaja on new music and innovation
Patricia Kopatchinskaja enjoys challenging the limitations of traditional concert formats.
© George Grantham Bain Collection/Fred Palumbo/Dutch National ArchivesTen works that shaped contemporary music
These are the most influential works of the last century.
Charlemagne Palestine © Agnès GaniaCharlemagne Palestine’s Strumming Music
Charlemagne Palestine ushered in a unique piano style that is still striking today.
Arne Nordheim in 1968 © Wikimedia Commons | Municipal Archives of TrondheimAt Home Guide: Norwegian contemporary music
Norwegian composers make some of the most interesting music on the contemporary scene.
John Constable, London Sinfonietta
Talking to London Sinfonietta Emeritus Principal Piano.
Top 10 Living Women Composers
Talking about gender has become more important than ever. According to online showcase/podcast Listening to Ladies, during the 2015–2016 season, the top 89 symphony orchestras in the US dedicated only 2% of their programs to music composed by women. Here, we look at some of the most boundary-pushing female artists working today, from Yoko Ono to Annea Lockwood.
Contemporary festivals
Trojan Women © National Theatre of KoreaTechnology and spirituality at Holland Festival
Esoterica from Armenia, video game operas, algorithmic audiovisuals and more.
Music for 18 Musicians at Bergen International Festival © Paal Audestad/NMH/Bergen International FestivalContemporary music festivals for 2018
We run down some of the festivals that no self-respecting new music fan should miss out on.
John Harris © Wattie CheungNew Music Dublin: iconoclastic and eclectic
An introduction to the latest iteration of Dublin’s foremost contemporary music festival.
Festival Messiaen au pays de la Meije © Colin SamuelsA guide to contemporary music festivals
Contemporary music lovers often find it hard to quench their thirst for new music.
Introduction to contemporary music
Próximos eventosVer más...

MadridCiclo Sinfónico: Por las barbas de Bartók

Ciclo Sinfónico: Por las barbas de Bartók
Parra, Bartók
Orquesta Nacional de España; David Afkham; Ildikó Komlósi; Bálint Szabó

BruselasMendelssohn: Lobgesang

Pärt, Mendelssohn
Brussels Philharmonic; Hervé Niquet; Marion Tassou; Julien Behr; Flemish Radio Choir

LondresVoices of America

Playlist (Track 1, 2) © Laurent Liotardo
Various, Willems, Stravinsky, Bates
William Forsythe; Jerome Robbins; Aszure Barton; English National Ballet; English National Ballet Philharmonic; Aaron Robinson; Alina Cojocaru; Jurgita Dronina
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La OSG despliega mordacidaz, melaconlía y arrebato en una misma noche

La Orquesta Sinfónica de Galicia y su director titular Dima Slobodeniouk © OSG
La temporada de la Sinfónica de Galicia volvía a dirigir su mirada hacia la música compuesta en los últimos cien años. Dima Slobodeniouk elaboró un atractivo programa conformado por tres obras relativamente infrecuentes y pertenecientes a mundos sonoros muy dispares, pero en los tres casos con un sello propio e inconfundible que tanto el director como los músicos realzaron brillantemente.

OSRF, Lintu y Gabetta en el Auditorio: la pujanza del ritmo

La violonchelista Sol Gabetta © Uwe Arens
El ritmo palpita y atraviesa Elephant Skin, de Jesús Rueda, el Concierto para violonchelo y orquesta núm. 1, de Martinů, y la Sinfonía núm. 5, de Tchaikovsky, conformando un crisol estimulante y variado, que aboca al intérprete a una atención y versatilidad extremas. Este era el reto que acometían Lintu y su Orquesta Sinfónica de la Radio Finlandesa, en colaboración con, sin duda, una de las mejores chelistas de los últimos tiempos: Sol Gabetta.

La persistencia del sonido: Eschenbach, maestro de la tensión

La ONE presentó un programa de estéticas muy diversas, ligado por algunos puntos fundamentales que Eschenbach supo resaltar magistralmente: la persistencia del sonido, el sentido de dramatismo y expresividad que atravesaba todas las piezas, y una tensión que pendió en todo momento de su batuta sin decaer mínimamente en ningún pasaje.