Listening to Beethoven again, but hearing something different

Por Phil Barrett, 05 julio 2016

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Crítica hecha desde Wigmore Hall, Londres el 4 julio 2016

Beethoven, Sonata para violín núm. 1 en ra mayor, Op.12 núm. 1

Beethoven, Violin Sonata no. 2 in A major, Op.12 no.2

Beethoven, Violin Sonata no. 3 in E flat major, Op.12 no.3

Beethoven, Sonata para violín núm. 4 en la menor, Op.23

Julia Fischer, Violín

Igor Levit, Piano

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

****1

Igor Levit brings Beethoven and Rzewski to Carnegie Hall

Kurt Gottschalk, 22nd January

Levit introduced the theme at such a clip that one couldn't help but worry about the marathon of musculature he had in front of him, but he persevered, playing with a precision that was almost alarming.

*****

L’intrigant chant intérieur d’Igor Levit au TCE

Pierre Michel, 9th October

Si le pianiste trouve une sorte d’idéal de beauté intime qui convient très bien à certains aspects de son grand programme romantique, d'autres aspects de son jeu laissent perplexe...

***11

Tremendous energy and engagement from Igor Levit at Wigmore Hall

Patrick Maxwell, 22nd September

Igor Levit brings a well-considered programme of Schubert, Schumann and Chopin to London in a performance of commitment and subtlety.

****1

Bis ins kleinste Detail: Joana Mallwitz und Igor Levit in Berlin

Sebastian Urmoneit, 27th June

Joana Mallwitz malt mit ihrem Konzerthausorchester musikalische Bilder von Haydn, Bartók und Strawinsky.

****1

Percussive Prokofiev and titanic Shostakovich from Levit and Sternath

Mark Pullinger, 4th April

Igor Levit champions his young mentee Lukas Sternath in a joint Wigmore Hall recital culminating in Shostakovich's own transcription of his Tenth Symphony.

****1

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Phil Barrett

Phil is a radio professional working on content for BBC Radio 3 at Somethin' Else Productions and is also the presenter and producer of ‘Classical Cambridge’ on Cambridge 105. With a particular passion for Baroque music & Lieder, he can usually be found at the Wigmore Hall taking full advantage of their generous under-25s scheme. He is also committed to changing attitudes towards modern and contemporary music and hopes to champion young composers. He blogs at philbarrettlistens.wordpress.com

Listening to Beethoven again, but hearing something different: Julia Fischer and Igor Levit at Wigmore Hall