Daniel Hope and the Royal Philharmonic Concert Orchestra at the Bristol Proms

Por Alexandra Hamilton-Ayres, 02 agosto 2013

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Crítica hecha desde Bristol Old Vic, Bristol el 31 julio 2013

Vivaldi, L'estro armonico: Concerto for 2 violins, cello and strings in A minor, Op.3 no. 8, RV 522

von Westhoff, Sonatas for Violin and Basso continuo: Imitazione delle campane

Ridout, Ferdinand the Bull

Richter, Recomposed: Vivaldi – The Four Seasons

Royal Philharmonic Concert Orchestra

Daniel Hope, Violín

The spirit of music-making: Elgar at The Anvil

Eleanor Knight, 8th February

An afternoon that belongs to the exuberant partnership of the Royal Philharmonic Concert Orchestra, the Brighton Festival Chorus and the spirit of music-making everywhere.

***11

An operatic big hitter: Juan Diego Flórez

Olivia Bell, 2nd June

This was less a concert of two halves than one of two tenors: able to dramatise the music of Puccini and Verdi far more effectively than his earlier Mozart, Flórez came alive.

****1

Scottish Ballet's Double Bill: Life in the Fast Lane, Death in the Slow

Margaret Willis, 3rd November

Scottish Ballet’s brief trip south of the border - just two performances - not only brought a company of vital athletic dancers to the capital but also chose the occasion to announce its new artistic director.

Vom Leichtfüßigen bis zum Schmerztriefenden: Saisoneröffnung des ZKO

Thomas Schacher, 15th October

Daniel Hope, der Music Director des ZKO, läutet die neue Saison mit einem originellen Programm ein, bei dem er auch selber als Solist hervortreten kann.

****1

Seelenquälend: Britten und Tschaikowsky mit dem Konzerthausorchester

Svenja Koch, 24th September

Effektvoll aber emotionslos: Christoph Eschenbach präsentiert eine eher unterkühlte Sechste Symphonie.

***11

BTHVN 2020 celebrated in Bonn by Barenboim and the WEDO

Zoltán Szabó, 17th December

A mixed performance from Bonn, but there was magic from Barenboim's fingers in the Third Piano Concerto.

***11

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.