Cav & Pag: a nostalgia trip for Welsh National Opera

Por Mark Pullinger, 30 mayo 2016

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“Michael Yeargan's set is a symphony in browns, plastered walls of terracotta and burnt umber”

Crítica hecha desde Wales Millennium Centre, Cardiff el 29 mayo 2016

Mascagni, Cavalleria rusticana

Leoncavallo, Pagliacci

Welsh National Opera

Carlo Rizzi, Dirección

Elijah Moshinsky, Dirección de escena

Michael Yeargan, Diseño de escena

Gwyn Hughes Jones, Turiddu, Canio

David Kempster, Alfio, Tonio

Camilla Roberts, Santuzza

Anne-Marie Owens, Mamma Lucia

Rebecca Afonwy-Jones, Lola

Meeta Raval, Nedda

Gyula Nagy, Silvio

Trystan Llŷr Griffiths, Beppe

Welsh National Opera Chorus

Welsh National Opera Orchestra

A magnificent Tosca from Welsh National Opera at the Mayflower

David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

*****

Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3

David Karlin, 11th August

Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.

****1

A dark and disturbing Rigoletto from WNO at the Mayflower

David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.

****1

WNO stages Death in Venice for the first time and it’s a triumph

Mark Valencia, 7th March

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.

*****

Musical performances keep WNO's new Così afloat

Mark Valencia, 6th March

Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh?

***11

Stacey Alleaume leads WNO's emotionally-charged Traviata

David Truslove, 24th November

Leading an international cast in a still-sumptuous revival in Southampton's Mayflower, Stacey Alleaume gives a sovereign performance as the ill-fated courtesan Violetta.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.