A cruel Così fan tutte at West Green House

Por Dominic Lowe, 31 julio 2016

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Crítica hecha desde West Green House, Hook el 30 julio 2016

Mozart, Così fan tutte

Tim Murray, Dirección

Victoria Newlyn, Dirección de escena

Colin Falconer, Diseño de escena, Diseño de vestuario

Soraya Mafi, Despina

Kiandra Howarth, Fiordiligi

Martha Jones, Dorabella

Richard Dowling, Ferrando

Ben McAteer, Guglielmo

Steven Page, Don Alfonso

West Green House Opera Sinfonia

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Sacred and profane in Guildhall School's Respighi double bill

Susannah Moody, 6th November

From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.

***11

Strauss à la Fellini: Ariadne auf Naxos at Opera North

Richard Wilcocks, 18th February

Rodula Gaitanou sets Richard Strauss and Hugo von Hofmannsthal's comedy in the Cinecittà film studios of the 1950s.

****1

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

Food for thought: Birtwistle’s The Last Supper

David Smythe, 14th January

An excellent performance of Sir Harrison Birtwistle’s The Last Supper receiving its Scottish première, with Roderick Williams and Susan Bickley heading a luxury cast.

****1

Blue lips and beards: The Rake's Progress

Richard Milne, 16th March

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

***11

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

A cruel Così fan tutte at West Green House Opera