A dark, brutal Don Giovanni in Stockholm

Por Laura Servidei, 30 marzo 2019

Descargando, espere, por favor...

Ver la programación

“Sofie Asplund, as Zerlina, had one of the most beautiful voices of the evening”

Crítica hecha desde Royal Swedish Opera, Estocolmo el 28 marzo 2019

Mozart, Don Giovanni

Royal Swedish Opera

Dalia Stasevska, Dirección

Ole Anders Tandberg, Dirección de escena, Diseño de escena

Maria Geber, Diseño de vestuario

Jeremy Carpenter, Don Giovanni

Ola Eliasson, Don Giovanni

Markus Schwartz, Leporello

Vivianne Holmberg, Donna Anna

Johanna Rudström, Donna Elvira

Sofie Asplund, Zerlina

Lennart Forsén, The Commendatore

Klas Hedlund, Don Ottavio

Jens Persson Hertzman, Masetto

Royal Swedish Opera Chorus

Royal Swedish Orchestra

Stemme leads an explosive Jenůfa at Royal Swedish Opera

David Karlin, 25th October

Janáček’s drama of infanticide is delivered at full power by Nina Stemme and Agneta Eichenholz in Annilese Miskimmon’s well-crafted production. The orchestra, however, are just too loud.

****1

Löftet: eindringliche Oper über den Holocaust in Stockholm

Michael Klier, 27th January

Löftet verdient mit dieser Botschaft, seinen bezaubernden Arien und großartig mitreißender Musik ein internationales Publikum.

****1

Overpowering Candide at Royal Swedish Opera

David Karlin, 25th October

Ole Anders Tandberg's edgy take on Bernstein's satirical operetta is lifted by some good performances but marred by an overpowering orchestra.

***11

Tosca mit Sicherheitsabstand in Stockholm

Isabella Steppan, 7th May

Nicht szenisch, aber auch nicht wirklich konzertant und mit durchwachsenen gesanglichen Leistungen wurde Puccinis Tosca an der Royal Swedish Opera gegeben.

**111

Swedish première of Szymanowski’s King Roger in Stockholm

Laura Servidei, 19th March

Elin Rombo shines in a co-production of King Roger with the Royal Swedish Opera and Teatr Wielki, in Warsaw

***11

Anne Sofie von Otter dominates the scene in Stockholm's Carmélites

Laura Servidei, 6th February

The Royal Swedish Opera revives Garpe’s production of Poulenc’s Dialogues des Carmélites with a committed cast.

***11

Más críticas...

Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.