Visceral power in Saunders' still

Por Sam Johnstone, 19 agosto 2016

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“The orchestra dug into the extremes of light and shade before finding a stunning breadth”

Crítica hecha desde Radialsystem V, Berlín el 16 agosto 2016

Saunders, Still

Wagner, Tristan und Isolde (excerpts)

Berg, Lulu: Suite

Junge Deutsche Philharmonie

Carolin Widmann, Violín

Ana Durlovski, Soprano

Sylvain Cambreling, Dirección

Jochen Sandig, Dirección

Antonio Ruz, Coreografía

Jörg Bittner, Diseño de iluminación

Cambreling firma una pulida versión de la Sinfonía Turangalîla

Daniel Martínez Babiloni, 30th March

La Orquestra de València demostró su excelente nivel con una magnífica versión de la compleja Sinfonía Turangalîla con Sylvain Cambreling en la dirección.

*****

Revolutionary voices in Hamburg with Sylvain Cambreling

Alexander Hall, 25th May

Three aspects of fate were on display in this intriguing combination of the new, the less familiar and the unashamedly popular given by the Hamburg Symphony Orchestra under its chief conductor.

****1

Tyrannen und ihre Opfer: vokaler Schönklang gegen Gewalt in Salzburg

Michael Vieth, 21st July

Drei konträre Kompositionen fokussierten auf das Leid der armenischen Bevölkerung im vergessenen Genozid von 1915.

***11

German Romanticism from Argerich, Cambreling and Symphoniker Hamburg

Alexander Hall, 21st November

The octogenarian phenomenon that is Martha Argerich still has something different to say about Schumann's Piano Concerto, while Sylvain Cambreling adopts a bright and breezy approach to Schubert's Ninth Symphony.

***11

Catriona Morison joins Martha Argerich in outstanding performances

Edward Sava-Segal, 20th June

An enjoyable first live stream of the 2021 edition of the Martha Argerich Festival in Hamburg's Laeiszhalle.

****1

Martha Argerich brings magical Ravel to Hamburg

Chris Garlick, 19th February

A performance of Ravel's concerto to savour as a beacon of light and hope in these dark times.

*****

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Sam Johnstone

Sam Johnstone is a musician and writer based in Berlin. He has written on classical, contemporary and world music for Sinfini Music, The Cusp and World Music Network, and about the influence of the avant-garde on contemporary music in Germany and Japan whilst studying at Oxford University and SOAS, University of London. Sam blogs at www.spljohnstone.com and tweets at @spljohnstone

Junge Deutsche Philharmonie bring visceral power to Saunders' still