Matrimonial mayhem: Le nozze di Figaro at The Grange Festival

Por Dominic Lowe, 08 junio 2019

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“Rather like their marriage, the Almaviva home is neglected and crumbling”

Crítica hecha desde The Grange, Alresford el 6 junio 2019

Mozart, Las bodas de Fígaro (Le nozze di Figaro)

The Grange Festival

Richard Egarr, Dirección

Martin Lloyd-Evans, Dirección de escena

Tim Reed, Diseño de escena

Toby Girling, Count Almaviva

Simona Mihai, Countess Almaviva

Roberto Lorenzi, Figaro

Ellie Laugharne, Susanna

Wallis Giunta, Cherubino

Jonathan Best, Doctor Bartolo

Louise Winter, Marcellina

Ben Johnson, Don Basilio

Richard Suart, Antonio

Rowan Pierce, Barbarina

Academy of Ancient Music

Die Fledermaus at The Grange: Cabaret meets G&S

David Karlin, 20th June

A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.

***11

The Rake's Progress at The Grange: richly entertaining

David Karlin, 23rd June

Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.

****1

L’incoronazione di Poppea vividly brought to life at the Grange

David Truslove, 7th June

Terrific music making with a light directorial touch brings mixed results to Monteverdi's 1643 masterpiece.

***11

Obsession at The Grange: The Queen of Spades

David Karlin, 23rd June

In a setting that might be The Grange itself, a production which steadily tightens its grip until a blistering finish.

*****

A stylish Così fan tutte at The Grange Festival

David Truslove, 16th June

Entertainment ideal for country house opera-goers, enhanced by some fine singing and excellent playing from the Bournemouth Symphony Orchestra.

****1

Tension accumulates in Handel’s Tamerlano at The Grange Festival

David Truslove, 10th June

Some exceptional singing intermittently enlivens Daniel Slater's production which, dramatically and emotionally, takes time to ignite.

***11

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.