Second Elizabethan age receives a noble tribute in ENO's Gloriana

Paula Murrihy (Frances) and Christine Rice (Elizabeth I)

Christine Rice (Elizabeth I)

Robert Murray (Robert Devereux)

Por Roy Westbrook, 09 diciembre 2022

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“few productions can have had such strength in depth in the cast”

Crítica hecha desde The London Coliseum, Londres el 8 diciembre 2022

Britten, Gloriana (Concert performance)

English National Opera

Martyn Brabbins, Dirección

English National Opera Orchestra

English National Opera Chorus

Christine Rice, Elizabeth I

Robert Murray, Robert Devereux, Earl of Essex

Paula Murrihy, Frances, Countess of Essex

Duncan Rock, Charles Blount, Lord Mountjoy

Sophie Bevan, Penelope, Lady Rich

Charles Rice, Sir Robert Cecil

David Soar, Sir Walter Raleigh

Alex Otterburn, Henry Cuffe

Alexandra Oomens, A Lady-in-Waiting

Claire Barnett-Jones, A Housewife

Innocent Masuku, The Spirit of the Masque

Sir Willard White, A blind ballad singer

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Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

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Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

The second Elizabethan age receives a noble tribute from the first in ENO's Gloriana