Youthful vigour and eclectic treats from La Verdi

Por James Imam, 28 septiembre 2015

Descargando, espere, por favor...

Ver la programación

“the orchestra let itself go in exotic swathes that never tipped into saccharine”

Crítica hecha desde Auditorium di Milano Fondazione Cariplo, Milán el 25 septiembre 2015

Ligeti, Concert Românesc

Goldmark, Violin Concerto no. 1 in A minor, Op.28

Campogrande, The Expo Variations: Arabia Saudita (commissioned by La Verdi)

Schubert, Sinfonía núm. 8 en si menor "Inacabada", D.759

Orchestra Sinfonica di Milano

Clemens Schuldt, Dirección

Chloë Hanslip, Violín

Stanislav Kochanovsky brings Russian passion to LaVerdi

Oliver Brett, 7th April

An exhilarating journey through three Russian suites with LaVerdi in Milan.

****1

LaVerdi and Xian Zhang usher spring into Milan

Oliver Brett, 1st April

Schumann, Goldmark and Malipiero feature in a seasonal programme in Milan.

****1

“Vive la France!”: Gallic pride from La Verdi, Milan

James Imam, 9th July

La Verdi dispatched each of the works with panaché under audience favourite Oleg Caetani. There is plenty of swagger to their playing at present – a Gallic cock with plenty of feathers in its tail.

****1

A Russian portrait: Scriabin and Campogrande from La Verdi

James Imam, 5th June

La Verdi possessed the necessary bloom to portray Scriabin's rich colour scheme under former LSO Assistant Marius Stravinsky. At times, they were irresistible.

****1

All-embracing Weill and Mahler from Axelrod and La Verdi

James Imam, 24th April

This was raw Mahler at its most all-embracing. The musicians seemed to embrace the entire world. As an audience member made to leave the hall, Axelrod leant over the balustrade to shake his hand.

****1

Mostly sparkling Mozart from La Verdi

James Imam, 6th March

As a pianist, Mustonen failed to deliver as would have been hoped, though as a conductor his rapport with the orchestra bore delightful results.

****1

Más críticas...

James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

Youthful vigour and eclectic treats from La Verdi and Chloe Hanslip