Birthday offering: less than vintage Mozart

Por Mark Pullinger, 28 enero 2015

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Crítica hecha desde Wigmore Hall, Londres el 27 enero 2015

Mozart, Violin Sonata in F major, K376 (K374d)

Mozart, Sonata in B flat major for Harpsichord, Violin (Flute) and Cello, K15

Mozart, Violin Sonata in A major, K402 (incomplete)

Mozart, Violin Sonata in C major, K6

Mozart, Violin Sonata in D major, K29

Mozart, Violin Sonata in G major, K9

Mozart, Violin Sonata in D major, K7

Mozart, Violin Sonata in A major, K305 (K293d)

Alina Ibragimova, Violín

Cédric Tiberghien, Piano

Soir de fête pour Simone Young et l'Orchestre National de France

Jean-Pierre Rousseau, 19th June

Après une Symphonie « Jupiter » admirable et un concerto de Chostakovitch subtil, le clou de cette soirée de fête aura été la création du Concert pour orchestre d'Éric Tanguy.

****1

Absolute conviction: Alina Ibragimova and friends

Chris Garlick, 6th April

Alina Ibragimova and friends join forces at the Queen Elizabeth Hall in two powerful chamber works composed at the height of the Second World War.

****1

Le ton juste de Xavier Phillips et Cédric Tiberghien à Reims

Patrice Lieberman, 28th June

Dans la Salle Louise du superbe Domaine Pommery, le duo s'est montré particulièrement éloquent dans un programme qui allait de Schubert à Fauré en passant par le méconnu Frank Bridge.

****1

Sensational Franco-Russian evening from Kobekina and Tiberghien

Susannah Moody, 9th January

Anastasia Kobekina and Cedric Tiberghien treat Wigmore Hall to a night of flair, flitting between their two homelands.

*****

L’odyssée Fauré de Xavier Phillips et Cédric Tiberghien

Tristan Labouret, 4th December

Le duo a interprété l'intégrale de la musique pour violoncelle et piano du compositeur français en un unique récital captivant, qui restera dans les mémoires.

*****

From life to death: Strauss frames Karina Canellakis' LPO programme

Roy Westbrook, 25th October

Richard Strauss, self-styled "first-class second-rate" composer, has been having a moment in London with several tone poems on show.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Birthday offering: Ibragimova and Tiberghien serve up less than vintage Mozart