Iestyn Davies: From Dowland's Lute Songs to Muhly's Old Bones

Por Kevin W Ng, 01 abril 2014

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Crítica hecha desde Vancouver Playhouse, Vancouver el 30 marzo 2014

Johnson, Have you seen but a white lily grow?

Johnson, Care charming sleep

Johnson, From the Famous Peak of Derby

Danyel, Grief, keep within

Danyel, Why canst thou not?

Danyel, Can doleful notes?

Campion, Never weather-beaten sail

Dowland, Come Again, My Love

Dowland, In darkness let me dwell

Dowland, Can she excuse my wrongs? The Earl of Essex's Galliard

Dowland, Flow, my tears (Lacrimae Pavane)

Dowland, Frogg Galliard

Dowland, Now, O now I needs must part

Muhly, Old Bones

Iestyn Davies, Contratenor

Thomas Dunford, Laúd

Deborah Warner culmina su sueño escénico en el Teatro Real

Juan José Freijo, 12th March

Warner vuelve a mostrar su talento indiscutible en la escena y su afinidad con Benjamin Britten, aunque, en esta ocasión, el aspecto musical no ha acompañado lo suficiente.

***11

Acre sensación tras la brillante producción de Theodora

David Santana Cañas, 11th November

La comprensión errónea del oratorio Theodora enturbia una, por lo demás, excelente producción de Katie Mitchell.

***11

El Handel más gamberro llega al Teatro Real

David Santana Cañas, 13th November

Christopher Alden trae al Teatro Real de Madrid una Parténope al estilo art decó dinámica de la que supo exprimir toda su comicidad.

***11

Canadian Opera's Orfeo returns elegant, restrained and very satisfying

John Gilks, 9th October

The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.

*****

An acrobatic Orpheus and Eurydice in Edinburgh

Roy Westbrook, 13th August

The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera.

***11

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.