collected stories draws to a close with John Cage and a David Lang world première

Por Rebecca Lentjes, 30 abril 2014

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“the quintessential concert: chance operations, silliness, spirituality, virtuosity”

Crítica hecha desde Carnegie Hall: Zankel, Nueva York el 29 abril 2014

Cage, Indeterminacy

Cage, 27'10.554"

Lang, Mystery Sonatas

Paul Lazar, Actor

Steve Schick, Percusión

Augustin Hadelich, Violín

David Lang, Dirección musical

A ghost of an opera at BAM

Jacob Slattery, 7th September

David Lang’s new opera the loser opened the Next Wave Festival at the Brooklyn Academy of Music on Wednesday night, but simply lacked theatricality.

*1111

Monográfico de Dvořák con un Hadelich espléndido

Jorge Baeza Stanicic, 6th March

Smyon Bychkov lideró con exquisito gusto un programa dedicado Antonín Dvořák en el que destacó especialmente la maestría y mganífico sonido del violinista Agustin Hadelich.

****1

Hadelich delivers exhilarating Barber concerto in Philadelphia

Cameron Kelsall, 11th January

Guest conductor Dalia Stasevska conducts an earthbound reading of Mahler’s Fourth Symphony.

***11

BBC Philharmonic opens season with bagpipes, boldness and brilliance

Leighton Jones, 20th September

John Storgårds conducts Wolfe and Prokofiev in the season opening concert, before a magnificent Tchaikovsky Fifth Symphony.

****1

Paganinis Nachfahre: Augustin Hadelich am Lucerne Festival

Thomas Schacher, 29th August

Alle großen Geiger spielen das Violinkonzert von Brahms. Aber mit dem Gespann Augustin Hadelich und Esa-Pekka Salonen unter Mitwirkung des Orchestre de Paris klingt es wirklich einmalig.

*****

Sculpted silences: Britten and Brahms under Jaap van Zweden in Seoul

SangKwon Lee, 20th June

From the very first bars of Britten’s Violin Concerto, Augustin Hadelich impresses in Britten's Violin Concerto, yet Jaap van Zweden's Brahms 4 appears misaligned.

***11

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Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.