Annette Dasch and Julius Drake in recital in Middle Temple Hall

Por Sam Wigglesworth, 30 septiembre 2013

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Crítica hecha desde Middle Temple Hall, Londres el 23 septiembre 2013

Schumann, Kerner Lieder, Op.35

Mendelssohn, Morgengruss, Op.47 no.2

Mendelssohn, Allnächtlich im Traume seh' ich dich, 86 no.4

Mendelssohn, Neue Liebe: In dem Mondenschein im Walde, Op.19a no.4

Wagner, Wesendonck-Lieder

Annette Dasch, Soprano

Julius Drake, Piano

Sobre la importancia del texto: Matthew Polenzani en el Ciclo de Lied

David Santana Cañas, 14th December

El tenor norteamericano Matthew Polenzani hace su debut en el Ciclo de Lied junto con el pianista Julius Drake cosechando un notable éxito.

****1

Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Jean-Pierre Rousseau, 16th February

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

****1

Le Voyage d’hiver de Bostridge, Drake et Warner pétrifie l’Athénée

Pierre Michel, 20th November

Ian Bostridge et Julius Drake proposent une interprétation exceptionnelle du cycle schubertien, sublimée par la mise en scène de Deborah Warner et les lumières de Jean Kalman, jusqu'à l'énigme finale.

*****

Bumpy love songs from Roderick Williams and Julius Drake at PCMS

Cameron Kelsall, 12th February

A fully produced performance of Brahms' Die schӧne Magelone in Philadelphia, complete with on-stage narrator and bespoke drawings, proved less than the sum of its parts.

**111

Fauré Song Gala a showcase for the composer's mélodies

Mark Valencia, 13th September

Fauré was the finest of French songwriters. Stéphane Degout and Véronique Gens shine in a full-length evening in a packed Wigmore Hall.

****1

Gerald Finley and Julius Drake bring Night and Day to London

Mark Valencia, 24th November

Heinrich Heine settings by Schumann and Schubert are counter-balanced by Duparc and Cole Porter in a Temple Song recital reflecting on night and day.

*****

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Sam Wigglesworth

Sam Wigglesworth contributed reviews to Bachtrack from 2012 to 2014. He studied at King's College London and, after a brief period producing concerts at St John's Smith Square, began working at Faber Music in 2014. He was Artistic Director of the Principal Sound Festival in 2016 and 2018.