Fine cast shines in Garsington's new Mitridate

Robert Murray (Mitridate)

Iestyn Davies (Farnace)

Soraya Mafi (Ismene)

Elizabeth Watts (Aspasia) and Louise Kemény (Sifare)

Por Stephen Pritchard, 02 junio 2023

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“The English Concert sound impressively perky under the suave direction of Clemens Schuldt”

Crítica hecha desde Garsington Opera, High Wycombe el 1 junio 2023

Mozart, Mitridate, re di Ponto, K87 (K74a)

Garsington Opera

Clemens Schuldt, Dirección

Tim Albery, Dirección de escena

Hannah Clark, Diseño de escena

Malcolm Rippeth, Diseño de iluminación

The English Concert

Robert Murray, Mitridate

Elizabeth Watts, Aspasia

Louise Kemény, Sifare

Iestyn Davies, Farnace

Soraya Mafi, Ismene

Joshua Owen Mills, Marzio

John Graham-Hall, Arbate

A radically trad Fidelio at Garsington

Peter Quantrill, 27th June

Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.

****1

Ravishing Rodelinda: Handel al fresco at Garsington Opera

Roy Westbrook, 13th June

Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing.

****1

Three card trick: compelling new Queen of Spades at Garsington

Roy Westbrook, 29th May

Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.

****1

Garsington’s L’elisir d’amore: Dr Feelgood wins the day

David Karlin, 28th May

Simon Higlett’s exquisite sets and costumes give a backdrop to Donizetti’s frothiest of rom-coms.

****1

Madcap comedy from Verdi: Un giorno di regno at Garsington

David Karlin, 29th June

Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.

*****

Garsington Opera's new A Midsummer Night's Dream

Roy Westbrook, 16th June

In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?

***11

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

Fine cast shines in Garsington's new Mitridate, where the walls close in on warring royalty