Period clarinet heaven from Lorenzo Coppola

Por Mark Pullinger, 11 enero 2018

Descargando, espere, por favor...

Ver la programación

“Buttery and soft-edged, the instrument beguiled the ear”

Crítica hecha desde Wigmore Hall, Londres el 10 enero 2018

Mozart, Adagio for 2 clarinets and 3 basset horns in B flat major, K411 (K484a) (Arr. Coppola)

Mozart, Quinteto para clarinete y cuerdas en la mayor, K581

Haydn, String Quartet no. 42 in C major, Op.54 no.2, Hob III:57 (Adagio & Minuet)

Brahms, Quinteto con clarinete en si menor, op. 115

Lorenzo Coppola, Clarinete

Isabelle Faust, Violín

Anne Katharina Schreiber, Violín

Yoshiko Morita, Viola

Emmanuel Balssa, Violonchelo

Lorenzo Coppola and three historical clarinets seduce Stockholm

Laurence Vittes, 14th February

Hosted by the roguish Italian clarinet virtuoso, a wonderful live-streamed concert turned into a brilliant entertainment experience that could be a model for concerts online – and live.

*****

Marvellous Mozart Monday: Freiburg Baroque Orchestra

Andrew Larkin, 29th February

Gerhaher's glorious rendition of Mozart arias and the crisp sound of the FBO made for a delightful evening.

****1

Awkward programming, splendid performances

Orsolya Gyárfás, 18th February

A bright evening of the "Mozart Effect" series somewhat dulled by a bizarrely structured programme.

***11

Color y evocación estructuran un brillante concierto de la ONE

Leonardo Mattana Ereño, 11th May

La ONE ofrece un concierto excelente que representó a la ves un estupendo homenaje al recientemente fallecido Peter Eötvös.

*****

El violín atemporal de Faust encara a Bach y Kurtág

Leonardo Mattana Ereño, 28th June

Faust demostró que hay una música que puede emocionar alcanzando al cerebro y al corazón por partes iguales.

*****

Stravinsky, Faust y Les Siècles en el Palau de la Música

Maria Sánchez, 24th March

Programa sinestésico de las obras de un compositor trascendental, en el que el conjunto francés recreó las atmósferas introspectivas de unas piezas que aún destilan contemporaneidad.

****1

Más críticas...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Period clarinet heaven from Lorenzo Coppola at Wigmore Hall