Philadelphia Orchestra delivers magnificent Mahler 3 at Carnegie Hall

Yannick Nézet-Séguin

Yannick Nézet-Séguin, Joyce DiDonato and The Philadelphia Orchestra

The Philadelphia Orchestra, Symphonic Choir, Boys and Girls Choirs

Por Susan Stempleski, 16 octubre 2024

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“Nézet-Séguin... shaped the long span of music with a secure sense of pulse”

Crítica hecha desde Carnegie Hall: Stern Auditorium, Nueva York el 15 octubre 2024

Mahler, Sinfonía núm. 3 en re menor

Yannick Nézet-Séguin, Dirección artística, Dirección musical

The Philadelphia Orchestra

Joyce DiDonato, Mezzosoprano

Women of the Philadelphia Symphonic Choir

Philadelphia Girls & Boys Choirs

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Hilary Hahn returns to the stage with the Philadelphia Orchestra

Cameron Kelsall, 13th February

After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.

***11

Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra

Cameron Kelsall, 6th February

Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.

***11

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Philadelphia Orchestra delivers a magnificent Mahler Third at Carnegie Hall