La Verdi Orchestra's top class performance of Rachmaninov and Stravinsky in Milan

Por James Imam, 25 octubre 2013

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Auditorium di Milano Fondazione Cariplo, Milán el 18 octubre 2013

Rajmáninov, Concierto para piano núm. 3 en re menor, Op.30

Stravinsky, Scherzo fantastique, Op.3

Stravinsky, Le Sacre du printemps (La consagración de la primavera)

Luca Buratto, Piano

Jader Bignamini, Dirección

Orchestra Sinfonica di Milano

Stanislav Kochanovsky brings Russian passion to LaVerdi

Oliver Brett, 7th April

An exhilarating journey through three Russian suites with LaVerdi in Milan.

****1

LaVerdi and Xian Zhang usher spring into Milan

Oliver Brett, 1st April

Schumann, Goldmark and Malipiero feature in a seasonal programme in Milan.

****1

Youthful vigour and eclectic treats from La Verdi

James Imam, 25th September

If the orchestra's playing was marked by poise and balance, so was the programme taken in its entirety. The buoyancy that had prevailed to now brought out the darker hues of Schubert's “Unfinished” Symphony deliciously.

****1

“Vive la France!”: Gallic pride from La Verdi, Milan

James Imam, 9th July

La Verdi dispatched each of the works with panaché under audience favourite Oleg Caetani. There is plenty of swagger to their playing at present – a Gallic cock with plenty of feathers in its tail.

****1

A Russian portrait: Scriabin and Campogrande from La Verdi

James Imam, 5th June

La Verdi possessed the necessary bloom to portray Scriabin's rich colour scheme under former LSO Assistant Marius Stravinsky. At times, they were irresistible.

****1

All-embracing Weill and Mahler from Axelrod and La Verdi

James Imam, 24th April

This was raw Mahler at its most all-embracing. The musicians seemed to embrace the entire world. As an audience member made to leave the hall, Axelrod leant over the balustrade to shake his hand.

****1

Más críticas...

James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.